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3 Translation Programs for Localizers: Pros and Cons

The success of a localization depends directly on translation quality, which is why we are...

What to Remember When Localizing into American English

Americans are a very grateful audience in which gamers are willing to pay well for...

“Everything in a screenplay has a purpose, no scene or dialogue is wasted.” Interview with Micky Neilson, a writer at Frost Giant Studios

Micky Neilson started his gamedev career as an artist, but his childhood passion for writing...

8 Important Factors When Localizing Games into German

In 2020 the German computer game market was the fifth largest in the world. It’s...

Vive la localisation! How to localize into French

Localizing a project into another language is like walking through a minefield. It’s extremely hard...

What is localization testing (LQA) and why is it important?

How can you make sure that the localized version of your game will be just...

“Our goal is to publish a great game, which will be received all over the world” – Interview with Tamara Tirjak, Senior Localization Manager at Frontier Developments

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“What is BizDev”– Interview with Alexey Trushkov, FunPlus Russia

Pavel from Inlingo: Let’s start with the kind of questions Freud would ask. When did...

“Entertainment Dies With Food” – Interview with Ilya Karpinsky, director of strategic development at MY.GAMES

On in-game concerts, attracting investment, and working without crunches Ilya Karpinsky is a godsend for...

Three pitfalls of localization into Japanese

Localization into Japanese is very complicated – it requires taking into account a lot of...

“The game needs to be challenging and offers players freedom” Interview with Ivan Buchta, Creative Director at Bohemia Interactive

On the future of military sims, making realistic game mechanics, and devotion to the community....

“If you want to attract female talent into gamedev you need games made by women for women” Interview with Nika Bender, Live Service Producer at DICE

Nika Bender has come a long way from moderating Playfish forums and product management at...

“Quality over quantity” Interview with Xavier Marot, Head of Line Production at Focus Home Interactive

Xavier Marot is the Head of Line Production at Focus Home Interactive that published popular...

Interview with Fawzi Mesmar, Head of Design at EA DICE

College gaming departments, game designers’ secrets for inspiration, and the genres of the future Fawzi...

“If you have the muscles go info offensive mode” – Interview with Hendrick Lesser, president of EGDF

In times of crisis, many companies could use a helping hand – and it is...

“Never skip LQA. That’s a bad idea.” Interview with Maria Lesk, Localization Director at Daedalic Entertainment

Good localization checklist, working with gamers’ criticisms, and a universal set of languages for translation...

“Get ready for your empathy to glitch”: how to communicate with Korean game developers

This interview was written for the BDinGD website—a networking project of Inlingo company. On BDinGD...

“The game has to be super amazing for you to forget about the language barrier” — An Interview with Global Localization Manager at King, Miguel Sepulveda

Reading Time: 30 Minutes We interviewed Miguel Sepulveda, Global Localization Manager at King (Candy Crush...

Localization: a job for freelancers or translation agencies?

Anastasiya Nikolayeva, director of localization for G5 Entertainment group, a developer and publisher of casual...

What’s the best working dynamic between translator and editor?

For everything to work smoothly and deadlines to be met, it’s very important to set...

Interview with Yulia Arzhakova, Localization Manager in IT Territory

We have more knowledge from our partners to share with you. In today’s interview, our...

Choosing editors for a project: how we put together a team at INLINGO

Today we’ll be responding to a question about how we put together a localization team...

Fan game localization, or is working with volunteers worth it?

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CASE STUDY: Localizing text quest game Nocton Hill

Today we have a case study to share with you of our localization of Nocton...

Choosing a localization method: in-house department, publisher, or fans

Who does a game start with? With the developer. They create the product, and then...

Video game culturalization as demonstrated by a Three Kingdoms game: complexities and solutions

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Why do clients require NDAs?

INLINGO Senior editor Alexey Medov, Studio Director Nadezhda Lynova, and The Most Games Production Director...

CASE STUDY: World of Submarine

The client is GD Company — a publisher with 11 titles, among which are major strategy...

“Nobody cares about your problems, but they are interested to see how you’ll solve them”. Interview with Defense Zone developer Artem Kotov

INLINGO sat down to talk with Artem Kotov, who is almost single-handedly behind the popular...